Badass Moments in Sci-Fi History

I probably don’t need to tell the readers here that science-fiction is probably one of the most badass genres of fiction to ever explode out of someone’s brain.  I mean, any genre in which genetically modified cyborgs, hyperdrive-capable spaceships, chest-bursting aliens, disintegration death rays, handheld nuclear bombs, mutant apocalypses, and skimpy gold bikinis are the norm is OK in my book, and anybody who doesn’t think that stuff kicks more ass than an alcoholic donkey-herder really needs to get their priorities straight.

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Simone Boyce and Game of Thrones Cast at Summit Entertainment’s Comic-Con Soiree

simone boyce

In the game of Comic Con, you win or you die. And I won. I felt like Bran as I scaled the levels of the Hardrock Hotel San Diego, drawing closer to the building’s rooftop pinnacle and the premiere event of the evening. Along the way, I encountered a BASTARD, who happened to be dining across the great hall with a ruthless HORSE LORD, a vicious QUEEN and some other broken things. We reached the top of the tower–Summit Entertainment’s Comic Con soiree–where the BASTARD introduced me to his mates:  a brunette KHALEESI and a scruffy KINGSLAYER.

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GrimDark: Loose Canon & Warhammer Race War Aaron Dembski-Bowden Guest Blog

To: Aaron Dembski-Bowden

Subject: Space Marine Power Armour

Dear Mr. Dembski-Bowden,

In your novel ‘I Remember When I Totally Puked That Time’, you said that power armour functions by X going into Y. But in Dan Abnett’s novel ‘Writhing in Unholy Chutney’, he said power armour functions by A going into B.

Both of these presentations also fail to match the example published fifteen years ago, in the sourcebook ‘Maximum Blood Justice Machine’, where it CLEARLY states that power armour not only functions by Z going into another Z, but that no suits of armour even have an X, Y, A or B.

Please justify all of this, so I can feel self-righteous about it on the internet.

Sincerely,

Some Guy

I

Canon

Last time, we made nicey-nicey with all the “My name is Aaron” stuff, and the accompanying how-do-you-dos. That’s great, right? We’re all friends now. Go team.

 

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Gareth Edwards’ Monsters – Notes from New Sodom

In the Interests of Precision

This is not a review. If you want to know whether I think director Gareth Edwards’s debut feature Monsters is worth seeing, I do. Go see it. But this isn’t about how good I think it is, and why; it’s about what the film’s doing, how this strange fiction (the specific example and the form in general) works. Whether it works well or not, for you or me — I don’t give a shit. More than anything, I want to use it here to explore the sort of dynamics at play in strange fiction, because the movie addresses one aspect of that dynamics directly, proclaiming this in its very title. The film is about the device of the monstrum that drives many narratives, not least those we project onto reality.

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Thanos – Badass of the Week

You address omnipotence. Tread carefully.”

A special edition of Badass of the Week by Ben Thompson

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Going out the week of San Diego Comic-Con and telling a bunch of superhero aficionados that Thanos is badass is kind of like walking into a Star Trek convention and announcing that Vulcans have pointy ears. No shit, Professor X, why don’t you tell us something we didn’t already infer telepathically just by looking at a comic book panel depicting a giant, beady-eyed muscle-bound behemoth backhanding Captain America to the turn with one hand while simultaneously head-butting a structural tear in the fabric of the universe with his wrinkly purple forehead?

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The Lost Airbender – Notes from New Sodom

Racebending and Lifestyle Theft

“If you go exploring in another culture only as a way of improving yourself and your work, that’s blatantly appropriative. Rose Fox, “A Whiff of Colonialism,” Publishers Weekly

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Another day, another shitstorm in the SF Café. A couple of months back, some of you might recall, it was one Young Turk turned Old Guard with an ill-fated article on international SF, a Caesar of dubious pontification that met a Senate of aggravated responses. Others said all that has to be said about the article at the time, and it’s sorta blown over now, so I’m not going to add my dagger; but in a couple of the responses (or responses to responses,) as the entrails slipped to the ground, fingers were pointed and the dread words whispered: cultural appropriation. As in the quote above, the link was made.

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