In a recent post about Toyo Harada I talked about the order of VALIANT character appearances in the original VALIANT universe from the early 1990s. I thought about it some and decided to piece together three reviews I did of first three original (post-Magnus and Solar) VALIANT properties in their initial arcs as titles.These cover the two hardcovers that the current VALIANT owner released of the classic material, Harbinger: The Beginning and X-O Manowar: Birth, along with the classic first TPB of Rai from the ‘90s. I wrote thsi awhile back so if there are any continuity eras in our current world, it’s because my Infinity Gauntlet is in the shop.
So earlier this year I read this piece on Book Riot titled 100 Must-Read Science Fiction & Fantasy Debuts. I’m not too into lists but also know that one I made a few years ago about the great speculative fiction novels of the last decade is a piece that I casually still have random people hit me up on social media about and be like “are you the guy who wrote that?”, and it’s usually about having played a (very) small part in expanding upon what were then prevalent conceits about what fantasy was in particular (people tend to get science fiction). It’s pretty flattering and don’t really take too much credit in what what probably an exercise in laziness as it was easier to make a premade list than join discussions asking for new books. For this reason I realize the value of such lists and it was reading it, and bringing back memories of getting initial publisher promo material and advance galleys.
While often times I think fans of comics and thus their creators are a bit too preoccupied with the same ailment that some Fantasy and Science Fiction writers and tend to trade the walking stick for the mirror often and further, stand so close they fog up the picture. Thus my conclusion is that one Brian K. Vaughan has no reflection but truly exists in both worlds, one the fan, one the creator, all the skills, that he has taken on a project spurned on by the creation of another planewalker, Michael Chabon, whose Amazing Adventures of Kavalier and Clay certainly won the Pulitzer throughout the Multiverse in a socially acceptable double dip.
Wizard magazine is a publication that is now often talked about in a negative context by most of the same people who didn’t like the half decade or so that Wizard reflected and even influenced the comic book medium and culture, and many who never read the magazine in its prime who echo anything negative because internet
I don’t really want to get into that discussion and instead just want to highlight a recent acquisition.
In previous novels Matthew Stover has shown us a star ascending, in his prime and during a fall. A god killer, creator, and husband of one — he is the unlikely pawn that is the habitual line stepper and reaches points to crown himself, but instead of turning around he jumps off. Through this, one would think we know the make-up of Caine, the complex extremity of his simplicity, and that perhaps all his stories left to be told are in the future and beyond.
Emilia Clarke has been heating up watercooler talk for five years now in HBO’s monster hit adaptation of George R.R. Martin’s A Song of Ice and Fire book series, Game of Thrones. Even as a veteran multiple re-reader of all of the books in the series that jumped on the literture before the turn of the century, I never thought that I’d see the day that “Khaleesi” would enter pop culture vernacular, a thought that was smashed when I got my 8-year old niece an “I’m not a Princess I’m a Khaleesi” t-shirt and she knew what it was. Move over Arthur C, Emilia is the Clarke of both speculative and reality affections.
So… I’m a Macross/Robotech fan (yes, you can be both) – and I guess this is obvious considering the domain name of this site) but this is double the joy here mixing that with a piece of Brandon Graham art that I recently added to the coffers. This piece, which you can see above and at his tumblr colored by Graham was a Kickstarter supporter reward commission from last year.
Back in 1987 fans of G.I. Joe got an animated film that has gone on to become a pretty divisive movie during a time which was probably the height of or toward the end of the height of the popularity for the G.I. Joe brand. Much like the Transformers animated film from the previous year it can quite plainly be seen as a feature length commercial for a new wave, maybe even a generation, of characters. I was overseas as a kid and when one of my friends got this on VHS it was HUGE news in my school, a part of a close knit U.S. military community in Italy. Back then it was just awesome and when you click it on now you realize that the intro remains one of the best in cartoon history.
Ahhh… Game of Thrones in Japanese on marble in the house. Almost better than the Robb Report right here. Perfect credit at the Iron Bank.
I’m thinking it may be time to do a reread of George R. R. Martin’s A Song of Ice and Fire since HBO hasn’t blessed us yet with a off-season spin-off nor has Martin delivered Winds of Winter outside of some sample chapters.
Whether a rookie card or the first appearance of a comic character I was trained by guides to value more things than others things in hobbies and recently I picked up some related to the Smurfs, a cartoon that was on constant rotation when I was really young.
The Smurfs, however, I think are MUCH older than most people think.